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Song of Joy 歡樂歌

Forture of Foe 17世紀巴洛克音樂

高虹与美国欧洲早期音乐四重奏的组合 Gao Hong and the Belladonna Baroque Quartet

Folk and Court: Music from East and West

Belladonna is joined by Beijing-trained pipa virtuoso Gao Hong to perform courtly entertainments, folk songs and dances of two continents. Rarely heard early music of China and Europe comes alive in this fascinating and colorful blend of traditions. The combination of the Chinese lute — a powerful instrument with a huge expressive range — and the animated virtuosity of Belladonna, creates an irresistible alliance that delights audiences. Works performed are by Byrd, van Eyck, Schmelzer, Falconieri, Locke, Playford and Uccellini and anonymous Chinese composers.

"Innovative and energetic."

Gathering/Hui, Ten Thousand Lakes, 2005

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The Baroque ensemble Belladonna was founded in St. Paul, Minnesota in 1993, and has since performed in festivals and music series around the globe. The group was featured on National Public Radio's Performance Today, Pittsburgh's WQED-FM classical music station, WGBH Boston, as well as the nationally syndicated radio program Harmonia. Series performances have included appearances at Seattle Early Music Guild, National Music Museum (Vermillion S.D.), the Renaissance and Baroque Society (Pittsburgh), and Early Music Now (Milwaukee), then made their New York debut in Merkin Hall. Their critically acclaimed Folias Festivas CD was re-released on the Dorian label. The quartet, which features Barbara Weiss, harpsichord, Cléa Galhano, recorder, Margaret Humphrey, baroque violin and Rebecca Humphrey, baroque cello, has received wide recognition for their exciting interpretation of familiar works and their colorful arrangements of little-known pieces. Belladonna was a 10 year artist-in-residence ensemble for the Schubert Club of St. Paul, and is currently Class Notes Artists in Residence for Minnesota Public Radio, where they present outreach educational programs to children in public schools around the state.

"The four-woman chamber ensemble Belladonna presented a program of 17th century folias in witty arrangements…in performances that were high profile, fantastically colored and just plain hot. Their flashy rhythmic play and daredevil divisions drove the audience into fits. Belladonna reminded us that early music, however historically informed, is as quirky, improvisatory and fresh as jazz."
-Boston Globe